Directions for Writing: Write a narrative in which you imagine yourself a character in a situation you sis to escape, causing you to experience a series of epic daydreams. Using James Thruster’s classic short story as a model, emulate the author’s style, use similar transitional devices, and show a clear contrast between your real and your fantasy persona. Your narrative must include a minimum of three daydreams. Be sure to incorporate and use proper dialogue conventions and proofread your work. Your narrative must be a minimum 600 words. Tips for Success Plan. Plan. Plan. Outline your plot (Seriously!
Create a timeline! ). Have a clear dead of the situation you wish to escape. Map out how and when your daydreams will begin and end. What will trigger them? What will end them? What happens in each daydream? Your fantasy persona should be “larger than life” so clearly develop your real persona to be the antithesis, or opposite, of the fantasy self. (I. E. Fantasy self-outgoing; real self-?introverted) Use a lot of sound, color, and texture details in your daydreams to make them more vivid and-?by contrast-?make the real life situation more boring and drab. Create multiple antagonists.
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Communicate through your daydreams a sense of what is missing in the real- life persona’s existence. Use the same title as Thurber, substituting “Walter Amity”‘ with the name of your persona. “The Secret Life of Walter Amity’ Creative Writing Assignment Writing Amity’ with the name of your persona. Rubric for Grading Exceptional Satisfactory Unsatisfactory Purpose (10 points) Narrative meets all the requirements of the assignment Clearly captures Thurber style A clear contrast is developed between real and fantasy persona Narrative meets most of the requirements of the assignment
Some evidence of Thruster’s style seen A contrast between real and fantasy persona is seen, but not as effectively as in an exceptional narrative Narrative fails to meet the requirements of the assignment Fails to capture Thruster’s style A contrast between the real and fantasy persona is poorly developed and/or unclear Proper use of dialogue Dialogue is used throughout the narrative Dialogue is punctuated correctly Dialogue is used effectively to develop characters Interior monologue is used effectively Dialogue is used throughout the narrative, but not as often as an exceptionally-written narrative Some errors in punctuation occur but do not detract from understanding An attempt is made at using interior monologue An inadequate amount of dialogue is used in the narrative. Dialogue is not punctuated correctly. Dialogue is hard to follow, confusing or poorly written. Dialogue does not effectively help develop characters.