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Structural Frame A. Investigate the two main phases of cubism: Analytical and Synthetic After 1909, Picasso and Braque began a more systematic study of structure, which we know as “Analytical Cubism”. In this period, they removed bright colors from their compositions, favouring monochromatic earth tones so that they could focus on the structure. The paintings of this period look as if they have deconstructed objects and rearranged them on the canvas. One goal of this is to depict different viewpoints all at once.
After the artists had grown tired of the Analytical period, they began to develop what is known as the Synthetic period. Picasso and Braque continue to introduce new and controversial changes with the introduction of collaged objects into their paintings. Such as different types of paper e. g. wall paper, music sheets, and newspaper clippings. B. Locate and display an example of an artwork from each of these phases C. Briefly explain (1-2 sentences) why each artwork is an example of Analytical or Synthetic cubism
Guitar, Sheet Music and Glass are synthetic cubism because of the year it was painted analytical was from 1909 to 1911 and this was painted a year after. Also Synthetic cubism uses collage and the materials in this artwork have been collaged together. Ambroise Voilard was painted in 1910 So it is Analytical Cubism and the person is deconstructed and there is use of monochromatic colours. 2. Picasso and Braque A. Describe the art making practice of Picasso and Braque? Throughout their time together, Braque and Picasso were searching for themselves, a reaction to the culture of the day.
There were questions about God, the subconscious, and life on the planet that all played a role in creating this new art. Analytical Cubism, visually showed what the artist thought was important about the subject rather then just mimicking it. Body parts and objects within the picture were broken down into geometric shapes B. How did the work of Cezamme influence the art making practice of theses artists? (Describe discernible influences from, and references to, Cezanne in such aspects as the treatment of the subject, aspects of composition, colour and surface.
Cezanne’s structural facets led Picasso and Braque to Cubism. And generally, his obsession with formal perfection began Modernism, with its concern with formal qualities (space, colour, composition, etc. ), making the painting “work. ” Cezanne was not interested in creating an illusion of depth in his painting and he abandoned the tradition of perspective drawing. Cezanne felt that the 3D illusion of perspective left out the fact that a painting is a flat two-dimensional object.
He liked to flatten the space in his paintings to place more emphasis on their surface This would show the difference between a painting and reality. He saw painting in more abstract terms as the construction and arrangement of colour on a two-dimensional surface. C. In what ways were Braque and Picasso innovators? Cubism was running out of creative steam. In an attempt to revitalise the style and pull it back from total abstraction, Picasso began to glue printed images from the ‘real world’ onto the surface of his still life’s.
Picasso painted more works in his shocking new style, although at first no one else dared to try it. Then, after a few months, Braque joined him. Together the two painters explored an even more geometric style. Cultural Frame 3. In what way do the cubist represent and interpret their world? Cubism was the first abstract art style. A Cubist painting ignores the traditions of perspective drawing and shows you multiple views of a subject at one time, the colour scheme is simple. Cubists also introduce collage into the painting and were influenced by other cultures especially African rt. 4. How did the work of the cubists influence the world of art? Cubism was revelational style of modern art. This was in response to a world that was forever changing. Cubism was an attempt by artists to revitalise the tired traditions of Western art that they believed had run their course. The artists challenged conventional forms of representation, such as perspective, which had been the rule since the Renaissance. Their aim was to develop a new way of seeing which reflected the modern age.
Geometric Abstraction Structural Frame 5. Describe the art practice of Mondrian? Is similar to Picasso and Braque. Mondrian uses reduced shapes and many dominating geographic shapes. Mondrian’s artworks are painted using only shapes with a very abstract style. Cultural Frame 6. In what way does the work of Mondrian represent his spiritual beliefs? Mondrian’s art was always inspired by his spiritual and philosophical studies. In 1908 he became interested in the theosophical movement launched by Helena Blavatsky.
Much of Mondriaan’s work for the rest of his life was inspired by his search for that spiritual knowledge. 7. How did the work of Mondrian, De Stijl and Neo-Plasticism influence the world of art? De Stijl also known as Neo- Plasticism was a group that tried to express a new idea of spiritual harmony and order. Mondrian was apart of this group. They promoted pure abstraction and a reduction to the essentials of form and colour; they simplified visual compositions to the vertical and horizontal directions, and used only primary colors along with black and white. Essay
Jackson Pollock was a complex man who brought many things into the forefront of impressionism. Although he led a very short life of 44 years he was known as one of the pioneers of abstract impressionism. His abstract painting techniques and unhealthy psychological being made him very sought after, studied and critiqued. Within his complexity came out a brilliant artist that was widely considered the most influential painter of the 20th century. Pollock began to study painting in 1929 at the Art Students’ League, in New York, under the Regionalist painter Thomas Hart Benton.
During the 1930s he was being influenced also by the Mexican muralist painters and by certain aspects of Surrealism. By the mid 1940s he was painting in a completely abstract manner, and the `drip and splash’ style for which he is best known emerged with some abruptness in 1947. Instead of using the traditional easel he moved his canvas to the floor and poured and dripped his paint from a can; instead of using brushes he manipulated it with `sticks, trowels or knives’ sometimes he would use a mixture of `sand, broken glass or other foreign matter’.
This manner of Action painting was common with Surrealist theories of automatism. Clement Greenberg emerged on the American art scene at a time when it was still relatively small and critics belonged to the insular world of the artists themselves. Among them was an obscure painter named Jackson Pollock, who was earning very little money. Clement Greenberg, was the art critic who propelled the career of Jackson Pollock and helped to establish Abstract Expressionism as a major artistic movement Greenberg began to praise on Pollock’s work, though very few people noticed at first.
He also went on to become one of the most influential supporters of the legendary Abstract Expressionist period, turning on it his eye and his quick and lean style of writing. He did not give the movement unqualified support, to be sure, and confessed that he himself had underestimated a number of artists in the period. Greenberg once said, “I scorched his show and I was wrong. You keep on learning. ” Pollock’s technique was as innovative as the paintings to which it gave rise. He laid his huge canvases out on the ground and painted from above, drizzling paint directly from the can.
He walked around the canvases, approached them from different angles, spread his attention equally over their entirety. He even walked on them. You can see his footprints in a number of pieces; they bear witness to the physicality that was so essential to his work. Rather than standing back from the canvas and contemplating it from a distance, Pollock applied himself directly to it, immersed himself in the act. As Pollock described it, “On the floor I am more at ease. I feel nearer, more a part of the painting, since this way I can walk around it, work from four sides and literally be in the painting. By Jordana Reference: http://www. artandculture. com/cgi-bin/WebObjects/ACLive. woa/wa/artist? id=150 http://query. nytimes. com/gst/fullpage. html? res=9402EFD71439F93BA35756C0A962958260&sec=&spon=&pagewanted=all http://www. ibiblio. org/wm/paint/auth/pollock/ http://en. wikipedia. org/wiki/De_Stijl http://wiki. answers. com/Q/What_is_the_style_of_art_the_artist_Frits_Mondrian_used_to_p ractice http://www. mondriantrust. com/bio2. html http://www. artcyclopedia. com/artists/mondrian_piet. html